The lumber barons, the furniture manufacturers and the merchants who ran Grand Rapids in the nineteenth century all built on the same rise east of downtown, and they kept building there for eighty years. What is left is around 1,300 buildings covering nearly every style of American architecture from Greek Revival through Italianate, Queen Anne, Shingle, Chateauesque and Colonial Revival to Prairie, with the earliest dating to the 1840s. It is one of the largest urban historic districts in the United States.
It should not still be here. In the 1960s the neighbourhood faced the standard postwar combination: urban renewal clearance, redlining, and speculative buying that turned family houses into carved-up rentals. In 1968, 125 neighbours formed the Heritage Hill Association and fought it — stopping demolition, getting the district onto the National Register, and setting a preservation precedent that other American cities copied. More than 4,000 households live here now.
For a visitor this is a walking district rather than an attraction with a gate. The pleasure is in three or four blocks of Madison, College, Cherry and Fountain, where a Greek Revival farmhouse sits two doors from a Queen Anne with a turret and both are around the corner from Frank Lloyd Wright. The Castle, a Chateauesque pile in Scottish granite, is the other building people stop for.
Two buildings open regularly. The Meyer May House, Wright's 1909 Prairie house on Madison, tours free by appointment. Once a year, on the third weekend in May, the Heritage Hill Weekend Tour of Homes opens private houses to ticket holders, which is the only chance most people get to see the interiors.
Everything else you see from the pavement. That is enough.